I was filming on the Polytechnic's Black Magic 6K camera, with a 18-35mm Sigma, and 35mm and 50mm sigma lenses. We lit everything with two spot lights and two led panel lights, with black wrap, flagging and an assortment of different gels. Some difficult parts were setting up the lights to match exactly the same that we had the previous night, and getting the camera positions to match from day to night cuts. I did this by taping the floor and taking plenty of reference frames on my phone and in camera.
